Things Mark Reads

Yesterday was the aphelion when the Earth reached the furthest distance from the sun at 157 million km (the closest distance, the perihelion, is 146 million km). It seemed appropriate on that day to describe the relatively flat shape of the solar system and how "flat earthers" need to think bigger. Interestingly, the aphelion and perihelion change with some regularity measured as Milankovitch cycles, which is a driver of long-term climate change. On that topic, I had an interview this week concerning my doctoral progress and grades to date ("mention très bien", to use the Université de Paris system). The next part of my studies is "Climate Change Denialism", which I am sure will be absolutely fascinating, having missed out on doing climate change psychology at the University of Wellington. Speaking of which, I attended a University of Wellingto alumni event on during the week with a Professor of Statistics, Peter Smith, talking on "Fluids in your phones?", about the development of liquid antenna for the next generation of mobile devices. And, to continue the theme, I have been recently offered the role to coordinate alumni events for Murdoch University here in Melbourne.

The week has also witnessed some activities in the aesthetic dimension as well. With an early submission made for Midsumma Festival, I have officially become a producer with my inaugural effort being for Liza Dezfouli's comedy-cabaret "Binosaur". Also, I have ventured out locally with Kate R., twice with aesthetics in mind, once was for Lightscape at the Botanic Gardens, which was beautiful, but rather low numbers due to drizzle, and today for a visit to the National Gallery of Victoria. This evening, I attended the awards ceremony for the Melbourne Poet's Union International Poetry Competition, which featured a marvellous and insightful speech by the well-known anarchist poet, Pi O. Finally, last night I visited ACMI for millihertz producing a rather raw and politically challenging audio-visual production with the descriptive title "Cruise Missile Intersectionality".

To finish the alliterative headings, I will conclude with some reflections on "athletics". Last week, I posted an announcement and a couple of photos of my significant weight loss over the past year (117 to 82 kgs), along with a descriptive essay on how I achieved it. I will point out that I'm not planning to lose anymore, although body composition still has room to change. I've had to hunt through my high school records - four decades in the past - to find when I had a similar weight and, in the process, have discovered my athletic records of the time, which were "quite good". I was among the best in the school for medium and long-distance running, plus I played cricket, rugby, football, and volleyball at an interschool level. But ultimately, I couldn't stand the aggressive competitiveness and the yobbish fans, and dropped out of all those activities. I hope that I can avoid all that in this rejuvenated period of my life.

My weekend started on Thursday evening, venturing out with Kate R., to the deco Sun Theatre in Yarraville, where a 20th anniversary screening of H.P. Lovecraft's "The Call of Cthulhu" was showing with the making of the film, and with a Q&A session with the director and the producer. It was an especially clever low-budget film, deciding to produce in a 1920s style; black-and-white, silent, and with inexpensive but real special effects. Distacted by dinner, we ended up entering the cinema a good twenty minutes late, so on Monday we decided to watch again at my very local cinema (i.e., my place).

It was all a prelude for Chaosium Con, held at the Moonee Valley Racing Club with some 250 people in attendance. Chaosium is quite a fascinating company, as a producer of board games and role-playing games. Established fifty years ago this year, they have produced a great number of games which are very well received by aficionados, including the high fantasy "RuneQuest" once considered a serious rival to Dungeons & Dragons, "Stormbringer" from the world of Michael Moorcock, Larry Niven's "Ringworld", the highly acclaimed "Call of Cthulhu", and the literary brilliance of the Arthurian "Pendragon", and so many more. The company is "just right" in terms of size; large enough to be a successful global publisher, small enough to have personal connections with the fan base. This probably the right time to mention that my main RPG project for the second half of this year will be writing a campaign for "Call of Cthulhu" with the working title "Fragments of Time, Slices of Mind"; it involves "The Great Race of Yith", and that's all you need to know.

I was there to look after the RPG Review Cooperative stall, which did quite well because RPG fans love rummaging through old games from the 80s, 90s, and 00s. I became good friends with our neighbouring stall run by a blacksmith (Morgan F) and a 3D printer (Ash M). It also turns out that our Cooperative was also the only non-Chaosium sponsor of the convention, albeit with a modest sum. Also from the Cooperative, Liz B., worked on the registration desk, Karl B., ran several sessions of his post-apocalyptic Australian-setting RPG, and Chris McC., ran a session of "Superworld" set in Perth. I am encouraging the committee to release a double-issue of RPG Review for Chaosium games, new and old, this year. They have made an incredible contribution to the gaming world, and it will certainly be a real pleasure to explore and publish with the incredible and creative energy.